Monday, November 1, 2010

In The Aeroplane Over The Sea [1998] - Neutral Milk Hotel


Simply put, Neutral Milk Hotel's second studio album "In The Aeroplane Over The Sea" is a modern day indie classic. Engaging from start to finish, it showcases one man's vision, nay, obsession and translates it into a body of magical music. Inspired loosely by the diary of Anne Frank, frontman Jeff Mangum displays his immense talent as a songwriter. As a singer, well let's just say it's not going to be everybody's cup of tea. Kicking off with 'The King of Carrot Flowers Pt. One" till "Two-Headed Boy Pt. Two", it is quite a surreal journey. The song arrangements are simple mostly consisting of Jeff Mangum and his acoustic guitar. However, some songs have added drums, fuzzed out bass and even horns.

Although I mentioned that Jeff Mangum's voice was a rather hit-or-miss affair, it is what makes this album unique. It's nasal and it goes places where it probably shouldn't venture, but it's honest. Every line delivered is honest and heartfelt. The emotions range from haunting ("Oh Comely) to excited ("Holland 1945") to melancholy espcially on "Two-Headed Boy Pt. Two" where he seems on the verge of tears, but it all fits so well together. The rapid fire lyrics are surreal and expose Jeff Mangum's poetry skills (What other album has the word semen feature so many times?).

If one were to nitpick any flaws on this album, it would have to be that it is accessible yet inaccessible at the same time. There are some genuine pop hits in this album and its mesmerizing, but only if you can get yourself look past the non-traditional vocals. An essential album for sure.

Song Picks :
  • The King of Carrot Flowers Pt. One
  • In the Aeroplane over the Sea
  • Two-Headed Boy
  • Holland, 1945
  • Oh Comely
  • Two-Headed Boy Pt. Two
"The only girl I've ever loved
Was born with roses in her eyes
But then they buried her alive
One evening 1945
With just her sister at her side
And only weeks before the guns
All came and rained on everyone
Now she's a little boy in Spain
Playing pianos filled with flames
On empty rings around the sun
All sing to say my dream has come."

Friday, April 16, 2010

Crusher Destroyer [2002] - Mastodon


In my humble opinion, 'Crusher Destroyer' is an brilliant song title. To have it as an album opener is even better. Thankfully the title does justice to the song. Clocking in at a mere 2 minutes, 'Crusher Destroyer' feels longer than that, in a good way of course. That's only because of the insane number of riffs Mastodon have managed to cram into it. A blend of heavy and sludge metal, it's unrelenting and uncompromising, just like all of their songs.They even manage to incorporate a Southern blues solo in the middle. Special mention must go to drummer Brann Dailor for his unique drumming style and sudden changes in time signatures, always threatening to burst out from the background. Vocals are harsh but suit the song well, its hard to think of anything else other than a guttural voice to go with it. A massive opener for a massive album

"Lesson
the honoring instinct of animal
pressure
no blame on the red bull
throw fury at him
aim gorge and win
less contenders on the way today
let them pay
nothing lost
nothing gained
listen
here lies the warning for matador
blackout
blood running the dirt floor
won't bleed by accident
burn your game plan"

Monday, April 5, 2010

Vampire Weekend [2008] - Vampire Weekend


Describing their sound as "Upper West Side Soweto", Ivy-League (Columbia University to be more specific) rockers Vampire Weekend released their self titled debut in early 2008. The album is a playful yet arty mix of indie rock, pop and African music. The songs have an undeniable charm about them, the lyrics are witty and quirky if a little cryptic. On lead vocals and guitar is Ezra Koenig, Rostam Batmanglij handles a variety of instruments while also serving as producer and Chris Baio and Chris Thompson fill in on bass and drums respectively.

The most obvious thing that one is likely to notice is just how simple the songs are. Koenig limits his guitar to only the first 3 strings, while the rhythm section is left to fill in the gaps with its tricky drumming and rhythmic bass. But it works and works well as exemplified by the first two songs 'Mansard Roof' and 'Oxford Comma', both excellent songs, dealing with offbeat topics like architecture and grammar. 'A-Punk' is one of the highlights of the album and rightly so. The song is succinct, sweet and catchy. 'Cape Cod Kwassa Kwassa' is the most African-sounding song on the entire album, with Conga drums and a guitar line that could easily have been taken from a Afro Pop hit, a sort of New York-meets-Africa experience. 'One (Blake's Got A New Face) ' has one of the most memorable lyrics and you may find yourself singing along even though you may not know what's going on! 'M79' and 'Walcott' with their speedy and infectious keyboards further strengthen the album. The album closer 'The Kids Don't Stand Chance' is absolutely brilliant.It only starts with bass and drums, both sounding as though they might belong to a reggae song, but by the end, you wont even know what genre of music you're listening to or how you even got there. The transition is that smooth and well worked out. The lyrics go well with the already preppy nature of the album, drawing inspiration from European History.

Vampire Weekend's debut is ultimately smart, preppy, innovative and above all a fresh breath of air in an already crowded indie rock scene. They prove that big riffs, heavy and heart pounding beats don't necessarily make the biggest impressions. Sometimes you've got to put your feet up, kick back , relax and let some ivy college kids blow you away with their music.

Song Picks :
  • Mansard Roof
  • Oxford Comma
  • A-Punk
  • Cape Cod Kwassa Kwassa
  • Bryn
  • The Kids Don't Stand A Chance
"You criticize the practice
By murdering their plants
Ignoring all the history
Denying them romance

The pin-striped men of morning
Are coming for to dance
Forty-million dollars
The kids don't stand a chance."

Sunday, February 14, 2010

Stylo [2010] - Gorillaz


Released just a few weeks ago, 'Stylo' is considerably darker than previous Gorillaz fare. The backbone of the song is its ominous bass line which is further accentuated by Damon Albarn's (2D) melancholy vocals. Featuring Mos Def and soul legend Bobby Womack on vocals, Stylo has an old school feel to it, mixing genres such as disco and synthpop. Bobby Womack's vocals stand out in particular, delivering a powerful performance. The single oozes elan and panache and is a strong comeback for Damon Albarn in particular, especially after the hit-or-miss 'The Good, the Bad and the Queen'. I would daresay that it's a stronger song than 'Feel Good Inc.' Here's to hoping 'Plastic Beach' continues the same standards as Stylo!

"Right now here's what we got to do,
it's love of electric,
it'll be flowing on the streets,
night after night,
just to get through the week,
sometimes it's hard. "

Rating : 9/10